dinner for one sketch

Created Dec 31, 2003 | Updated Mar 30, 2004. In 1960, the producers Gianni Proia and Antonio Altoviti flew over to England from Italy in order to see Frinton perform the piece during a summer season (called The Big Show) at the Opera House in Blackpool. It makes him seem a bit like Tony Hancock in The Radio Ham: 'I've got friends all over the world - all over the world! As time went by, however, the charm of the piece would have more to do with the universal humour to be found in the situation, along with the brilliance of Frinton's slapstick performance. You may now serve the soup. The 1960s TV sketch airs in the UK for the first time, decades after it became integral to New Year’s Eve for Europeans. It was about a rich old lady, Miss Sophie (played in the early days by either Sonnie Willis, Bridie Devon or Joan Cibber, but later and more famously by May Warden) celebrating her ninetieth birthday, at the end of another year, at a dinner overseen by her similarly elderly butler, James (Frinton), with additional places set for four beloved guests long since dead: MISS SOPHIE: All five places are laid out?JAMES: All laid out as usual.MISS SOPHIE: Sir Toby?JAMES: Sir Toby, yes, he's sitting here this year, Miss Sophie.MISS SOPHIE: Admiral von Schneider?JAMES: Admiral von Schneider is sitting here, Miss Sophie.MISS SOPHIE: Mr Pommeroy?JAMES: Mr Pommeroy I put round here for you.MISS SOPHIE: And my very dear friend, Mr Winterbottom?JAMES: On your right, as you requested, Miss Sophie.MISS SOPHIE: Thank you, James. Der gesamte Text der Dialoge in "Dinner for One" zum Nachlesen und Mitsprechen. Forget microwave popcorn and cereal -- dinner for one is full of possibilities! He had no such compunction, however, about filming it for foreign television, because he reasoned that such screenings would have no bearing on the continuing British appetite for his stage version. This may not be an original scenario in comedy, yet there is something undeniably charming about the interplay between a kindly, if bossy, elderly woman and her blindly loyal manservant. 4 Conversations. There would follow the usual seasonal cycle of pantomimes and summer seasons, but he was still eager to be known for other projects. It was Hird, rather than Frinton, who decided to quit the show while it was still high in the ratings, but the co-stars parted amicably, and Frinton returned to working mainly on the stage. "I bought a cross-trainer to keep fit. It is true that, throughout his career, Frinton resisted filming Dinner for One for British television - because he feared that such nationwide exposure would diminish its ongoing appeal as the central element of his theatrical productions. Fans of the British comedy sketch Dinner for One won’t have to wait until New Years Eve to see the characters in the classic on German television. “Dinner for One” links people to the past and, perhaps, brings back fond memories of loved ones of their own who are no longer here. The filming took place in Studio B of the NDR building in Hamburg-Lokstedt at the start of May. This is incorrect: that particular series (which in any case was mainly a game show) had ended two years earlier, and had never featured Frinton. The BBC screening, however, would mark the end of the sketch's big and small screen exposure during his lifetime, and, indeed, by this time Frinton seemed to have developed something of a love-hate relationship with the routine. See more ideas about dinner for one, comedy, dinner. Color. Ironically, for a country that had started out laughing at the traditionalism on show, it became their own tradition. Skål!! At this time of year people gravitate towards old television shows and films as a form of comfort. He usually found a way to slip it somewhere or other in the running order, and, as it remained such a guaranteed audience-pleaser, no one else involved in the various productions had any cause to object to its inclusion. Not something you saw every day on German TV in the early sixties. Though it was first performed in Britain as early as 1934, today hardly any Britons have heard of or seen it. In fact, it was seen once - but only by accident. A similar story has developed in other countries, including Switzerland, Denmark, Finland, Sweden, the Faroe Islands, South Africa, Greenland, Estonia, Austria, Australia and Luxembourg, where the sketch has acquired the same kind of cult status as an annual New Year's Eve event. In December 1961, Frinton (as always, by this stage, in the company of May Warden) again agreed to film the sketch, this time in Hamburg for German television (but, as he had been a troop supervisor in World War II, and still harboured strong ill-feelings towards the country, he insisted on the performance going out in English, without any dubbed or subtitled translation). It briefly aroused some curiosity in the media, and was seen by a reasonably large audience for the station and the slot, but it failed to spark any continental-style cult - prompting a baffled Der Spiegel to declare that the question as to why this British comedy classic continues to be embraced by just about everyone except the British is 'one of the last unsolved questions of European integration'. De-dinner for one-article.ogg 10 min 55 s; 3.74 MB. -. I suppose that it's not enough to just buy it." Topics. The informal arrangement was all that he needed when he was building up his career (he was simply so brilliant in it that he had made it his own in the eyes of the public and critics alike, and his long-term commitment to the piece had enabled him to negotiate a very modest royalty payment). It makes him seem a bit like Tony Hancock in The Radio Ham : 'I've got friends all over the world - all over the world! After suffering a heart attack while working in Bournemouth, where he was appearing in a comedy at the Pier Theatre, he died at the Central Middlesex Hospital, Park Royal, on 16th October 1968, aged just fifty-nine. Once the 1960s began, he was shoehorning Dinner for One into just about everything he did on the stage - revues, pantomimes, plays, variety shows and club or cabaret appearances (not only in the UK but also in France, Germany, Italy and Las Vegas). There is another common claim these days that the routine was never seen on British TV during Freddie Frinton's lifetime. In 2004, a record total of 15.6 million Germans saw the sketch, and, even today, the multiple showings add up to a remarkably large annual audience. Frinton himself was a man who acquired some interesting contradictions during the course of his career. 'It was always my ambition to hit the top but I seemed to be stuck in the same old routine of clubs, summer shows and odd TV spots. Classic Television, Dinner for One. 'I couldn't breathe, just couldn't stop') that at one point the studio manager threatened to throw her out, but Frinton was grateful for the encouragement. UK broadcast of the 1963 British comedy sketch that is shown every New Year's Eve on German TV Dieser Satz fällt wohl jedem zu dem Sketch ein. He had seen it performed several times before, noted that it had broad international appeal, and was far-sighted enough to realise that a high quality recording might well end up being repeated for years to come. The ritual would finally end with James, swaying uneasily from side to side, accompanying Miss Sophie as she heads up the stairs to bed: JAMES: Oh, by the way: the same procedure as last year, Miss Sophie?MISS SOPHIE: The same procedure as EVERY year, James!JAMES: Well...I'll do my very best! As far as the basic details about the life and career of Freddie Frinton are concerned, they fit the familiar pattern for northern comedians of his era. 'Same procedure as every year, James'. Filmed in grainy black-and-white, the routine involves Miss Sophie (May Warden), who is celebrating her 90th birthday with James, her butler (Freddie Frinton). It is particularly worth watching in order to see Freddie Frinton at work, as he was a master of what is now the fast-disappearing art of physical comic acting. He died in 1968, but ever since then, at this time of year, his eighteen-minute comic sketch, Dinner for One, is watched in countless countries all over the world - but rarely in the UK. The 18-minute British comedy sketch, recorded in 1963, holds the Guinness World … When is a British comedy legend not a British comedy legend? With his cheerful personality and his cheeky gap-toothed grin, he had a natural gift for entertaining people, but drifted half-heartedly through a succession of menial labouring jobs until his passion for performing became too powerful to keep ignoring. 828 likes. The sound of one woman's laughter in particular - Sonja Göth, the wife of the lighting director Viktor Göth - was so loud ('I had a really bad laughing spasm,' she would later explain. We even told our 2 grown up sons about it. If it is largely ignored by Britons, “Dinner for One” has a loyal and enthusiastic audience elsewhere—as well as Germany, it will be shown during the festive period in Estonia, Australia, Norway and Denmark. Scene from “Dinner for One” with Freddie Frinton as James, and May Warden as Miss Sophie. ', to which she would always reply brightly, 'Same procedure as EVERY year, James!'. Again, this does not quite explain the collective amnesia surrounding the sketch. The stiff social setting is brilliantly contrasted with the cast of eccentric characters and the surrealism of the whole imaginary set-up. The brief German-language introduction to the sketch itself, spoken by the actor Heinz Piper, explained that there were only two English sentences that the audience needed to know: 'Same procedure as last year, Miss Sophie?' In 2018, there was even a special postage stamp, issued by the Deutsche Post, hailing it as 'a German TV Legend', and numerous politicians have made a point of quoting it in their speeches. 6 min read. This belief, however, backfired badly for him, because the Swiss version of the sketch for Nightclub proved so popular with Swiss audiences that the country quickly decided to make the programme its entry in that year's Golden Rose of Montreux Festival. (It is now also freely available on YouTube.) This, once again, is untrue. Norddeutscher Rundfunk and its affiliates had been repeating a variety of edited versions of the 1963 recording for years after its first appearance, even reaching audiences behind the Iron Curtain in East Germany, but it was not until 31st December 1972 when NDR's entertainment director Henri Regnier decided, seemingly on a whim, to retrieve this black and white, English-speaking recording from the archives and return it to the screen.

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