taiko drum festival usually last for

Common in many kumi-daiko groups is the use of the happi, a decorative, thin-fabric coat, and traditional headbands called hachimaki. 3.Tsuridaiko – a large hanging barrel drum 10. [157], A variety of folk dances originating from Okinawa, known collectively as eisa, often make use of the taiko. [138] In contrast, the philosophical concept of ma, or the space between drum strikes, is also important in shaping rhythmic phrases and creating appropriate contrast. [108] After the body and skin have been finished, excess hide is cut off and the drum can be stained as needed. Another is the byo-uchi-daiko, a drum made out of a single piece of wood. [124] There are other grips that allow performers to play much more technically difficult rhythms, such as the shime grip, which is similar to a matched grip: the bachi are gripped at the back end, and the fulcrum rests between the performer's index finger and thumb, while the other fingers remain relaxed and slightly curled around the stick. [104] To stretch the skin over the drum properly, one process requires the body to be held on a platform with several hydraulic jacks underneath it. [149][150] For example, don (どん) represents a single strike to the center of the drum,[150] where as do-ko (どこ) represents two successive strikes, first by the right and then the left, and lasts the same amount of time as one don strike. [203][204] Taiko performance has also been featured in commercial productions such as the 2005 Mitsubishi Eclipse ad campaign,[205] and in events such as the 2009 Academy Awards and 2011 Grammy Awards. [87] Dadaiko (鼉太鼓) are the largest drums of the ensemble,[88] and have heads that are about 127 cm (50 in) in diameter. [171] Shin-daiko emphasizes a more powerful sound, and consequently, performers use larger bachi made out of stronger wood. [94] Nagauta-shime daiko or uta daiko are also featured in Noh performance. "Hachijō-style taiko") is a taiko tradition originating on the island of Hachijō-jima. [207] The exhibition covered several topics related to taiko in the United States, such as the formation of performance groups, their construction using available materials, and social movements. [184], The introduction of kumi-daiko performance in Brazil can be traced back to the 1970s and 1980s in São Paulo. [127] Some physical parts of taiko, like the drum body, its skin, and the tacks also hold symbolic significance in Buddhism. [222] Subsequently, sansei could not engage in Japanese culture and instead were raised to assimilate into more normative activities. [187] Taiko was also popularized in Brazil from 2002 through the work of Yukihisa Oda, a Japanese native who visited Brazil several times through the Japan International Cooperation Agency. One such piece developed by Kinoshita is called Taiko de Samba, which emphasizes both Brazilian and Japanese aesthetics in percussion traditions. [236] When he was 19, Hayashi joined Ondekoza, a group later expanded and re-founded as Kodo, one of the best known and most influential taiko performance groups in the world. Unofficial estimates have been made. While there were similar textbooks published before 1994, this publication had much more visibility due to the Foundation's scope. [226], A number of performers and groups, including several early leaders, have been recognized for their contributions to taiko performance. Teachers of the tradition have noted that the majority of its performers were women; one estimate asserts that female performers outnumbered males by three to one. Niihama is positioned in the north-center area of Shikoku, in the eastern part of Ehime Prefecture. [21][100] Thinner skins are preferred for smaller taiko, and thicker skins are used for larger ones. [46][238] He was awarded the 47th Education Minister's Art Encouragement Prize, a national award, in 1997 as well as the 8th Award for the Promotion of Traditional Japanese Culture from the Japan Arts Foundation in 2001.[239]. These illustrations also featured women performing, which is unusual as taiko performance elsewhere during this period was typically reserved for men. After the skin has dried, tacks, called byō, are added to the appropriate drums to secure it; chÅ«-daiko require about 300 of them for each side. [173] Rhythms used for the accompanying shita-byōshi role can also differ. [130] The player starts slowly, leaving considerable space between strikes, gradually shortening the interval between hits, until the drummer is playing a rapid roll of hits. [175] The word miyake comes from Miyake-jima, part of the Izu Islands, and the word Kamitsuki refers to the village where the tradition came from. Variations in the construction process often occur in the latter two parts of this process. This style is called Kumaoji-daiko, named after its creator Okuyama Kumaoji, a central performer of the style. [103], Taiko performance styles vary widely across groups in terms of the number of performers, repertoire, instrument choices, and stage techniques. [218], The Taiko Road (人権太鼓ロード, "Taiko Road of Human Rights"), representing the contributions of burakumin, is found in Naniwa Ward in Osaka, home to a large proportion of burakumin. [188], Taiko emerged in the United States in the late 1960s. On the highway, Matsuyama is under an hour away, and the other main cities of Shikoku (Takamatsu, Kōchi, and Tokushima) are all just over an hour's drive away. [85] The lead instrument of the ensemble is the kakko,[86] which is a smaller shime-daiko with heads made of deerskin, and is placed horizontally on a stand during performance. [126] The way the bachi are held can also be significant; for some groups, bachi represent a spiritual link between the body and the sky. [101] After drying is complete, the inside of the drum is worked with a deep-grooved chisel and sanded. Last Updated 3/7/21 The Promo Clothing Items can be seen here. [154] The instructional publication described the different drums used in kumi-daiko performance, methods of gripping, correct form, and suggestions on instrumentation. 39.Taiko- is a Japanese drum that comes in various sizes and is used to play a variety of musical genres. [158][160] Use of shime-daiko over pāranku has spread throughout the island, and is considered the dominant style. [160] Small nagadō-daiko, referred to as ō-daiko within the tradition, are also used[161] and are worn in front of the performer. The creators of the text maintained that mastering a set of prescribed basics should be compatible with learning local traditions. [164], The Hachijō-daiko tradition was documented as early as 1849 based on a journal kept by an exile named Kakuso Kizan. [194] This included formation of Denver Taiko in 1976[194] and Soh Daiko in New York City in 1979. [164] Two styles of Hachijō-daiko emerged and have been popularized among residents: an older tradition based on a historical account, and a newer tradition influenced by mainland groups and practiced by the majority of the islanders. [237] Hayashi soon left the group to begin a solo career[236] and has performed in venues such as Carnegie Hall in 1984, the first featured taiko performer there. Certain peoples have used taiko to advance social or cultural movements, both within Japan and elsewhere in the world. [21] Before fitting it to the drum body the hair is removed from the hide by soaking it in a river or stream for about a month; winter months are preferred as colder temperatures better facilitate hair removal. [212] For instance, a member of Kodo was informed by the director of the group's apprentice program that women were permitted to play, but could only play "as women". [120] Some teachers note a tendency to rely on the upper body while playing and emphasize the importance of the holistic use of the body during performance. [121], Some groups in Japan, particularly those active in Tokyo, also emphasize the importance of the lively and spirited iki aesthetic. [201] One estimate suggested that around 120 groups were active in the US and Canada as of 2001, many of which could be traced to the San Francisco Taiko Dojo;[68] later estimates in 2005 and 2006 suggested there were about 200 groups in the United States alone. Miyake-style taiko came out of performances for Gozu Tennō Sai (牛頭天王祭, "Gozu Tennō Festival")— a traditional festival held annually in July on Miyake Island since 1820 honoring the deity Gozu Tennō. The Yosan Line of Shikoku Railway Company (JR Shikoku) runs through Niihama. [103] Lastly, handles are placed onto the drum. [235], Performers and groups beyond the early practitioners have also been noted. The Nippon Taiko Foundation was formed in 1979; its primary goals were to foster good relations among taiko groups in Japan and to both publicize and teach how to perform taiko. Taiko - is a Japanese drum that comes in various sizes and is used to play a variety of musical genres. [199] Katari Taiko and future groups were thought to represent an opportunity for younger, third-generation Japanese Canadians to explore their roots, redevelop a sense of ethnic community, and expand taiko into other musical traditions. The total area is 234.30 km². [174] Another type of rhythm, called honbadaki, is unique to shin-daiko and also contains a song which is performed in standard Japanese. Eitetsu Hayashi is best known for his solo performance work. The island of Ōshima, northeast of the main part of the city, also is part of Niihama. Being surrounded by mountains, Niihama feels geographically isolated from its closest neighbors, Saijō to the west and Shikokuchūō to the east. [186] Brazilian groups have combined native and African drumming techniques with taiko performance. [85] The tsuri-daiko (釣太鼓, "suspended drum") is a smaller drum that produces a lower sound, its head measuring about 55 cm (22 in) in diameter. [114] Nevertheless, a number of early groups have had broad influence on the tradition. Skins also come from horses, and bull skin is preferred for larger drums. For a district in, Learn how and when to remove this template message, https://en.wikipedia.org/w/index.php?title=Niihama&oldid=995972030, States and territories established in 1937, Articles needing additional references from September 2014, All articles needing additional references, Short description is different from Wikidata, Articles containing Japanese-language text, Articles with unsourced statements from April 2012, Articles with Japanese-language sources (ja), Wikipedia articles with CINII identifiers, Wikipedia articles with MusicBrainz area identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 23 December 2020, at 21:16. Those who developed ensemble-style taiko in Japan were men,[210] and through the influence of Ondekoza, the ideal taiko player was epitomized in images of the masculine peasant class,[210] particularly through the character Muhōmatsu in the 1958 film Rickshaw Man. [31][117] Author Shawn Bender argues that kata is the primary feature that distinguishes different taiko groups from one another and is a key factor in judging the quality of performance. For instance, among other concepts, the San Francisco Taiko Dojo is guided by rei (礼) emphasizing communication, respect, and harmony. [146], Orally, patterns of onomatopoeia called kuchi shōga are taught from teacher to student that convey the rhythm and timbre of drum strikes for a particular piece. [206], From 2005 to 2006, the Japanese American National Museum held an exhibition called Big Drum: Taiko in the United States. 胴) (a nagadō-daiko with a cigar-shaped body) are used in sumo and festivals respectively. Niihama was home to the world's largest planetarium until the renovation of the Nagoya City Science Museum in March 2011. It has become particularly popular in recent years as the central instrument of percussion ensembles whose repertory is based on a variety of folk and festival music of the past. [95][96], Many taiko in Noh are also featured in kabuki performance and are used in a similar manner. The economy of Niihama is supported largely by factories as well as activities at its ports. [112], Taiko performance was an important part of cultural development by third-generation Japanese residents in North America, who are called sansei. [195][196] Many of these early groups lacked the resources to equip each member with a drum and resorted to makeshift percussion materials such as rubber tires or creating taiko out of wine barrels. [100][101] In contemporary times, taiko are carved out on a large lathe using wood staves[66] or logs that can be shaped to fit drum bodies of various sizes. These are used to carry smaller drums and they serve an ornamental purpose for larger drums. Asano currently maintains an entire complex of large buildings referred to as Asano Taiko Village,[109] and the company reports producing up to 8000 drums each year. [228] Kobayashi is considered a master performer of taiko. Men and boys as young as 16 begin the festival before sunrise on its first day by carrying the floats to their local shrine for a blessing by shinto priests. Ō-daiko provide a steady, underlying pulse[34] and serve as a counter-rhythm to the other parts. The border with Kōchi Prefecture lies in the mountains far south of the center of town. The contemporary style of Hachijō-daiko is called shin-daiko (新太鼓, "new taiko"), which differs from Kumaoji-daiko in multiple ways. Niihama (新居浜市, Niihama-shi) is a city located in the eastern part of Ehime Prefecture, Japan.It has the third largest population in Ehime, behind the prefectural capital of Matsuyama and the recently expanded city of Imabari.. On August 31, 2016, the city has an estimated population of 121,758 and a population density of 519.67 persons per km². [141] During his time with the group Ondekoza, Eitetsu Hayashi suggested that a loincloth called a fundoshi be worn when performing for French fashion designer Pierre Cardin, who saw Ondekoza perform for him in 1975. [108], Several companies specialize in the production of taiko. [192][193] Taiko started to branch out to the eastern US in the late 1970s. [223] There were also prevailing stereotypes of Japanese people, which sansei sought to escape or subvert. [118] For this reason, many practice rooms intended for taiko contain mirrors to provide visual feedback to players. [221][222] During and after the war, Japanese residents were discouraged from activities such as speaking Japanese or forming ethnic communities. It has the third largest population in Ehime, behind the prefectural capital of Matsuyama and the recently expanded city of Imabari. [193][220] During World War II, second-generation Japanese residents, called nisei faced internment in the United States and in Canada on the basis of their race. Each of 50 neighborhoods in Niihama has its own Taiko float, which consists of an ornately decorated wooden center frame, covered in panels made of gold thread (three to a side). [21], Drums are not the only instruments played in the ensemble; other Japanese instruments are also used. [168][169] While there are specific types of underlying rhythms, the accompanying player is free to express an original musical beat. [105] Prejudice against this class dates back to the Tokugawa period in terms of legal discrimination and treatment as social outcasts. [200], There are no official counts or estimates of the number of active taiko groups in the United States or Canada, as there is no governing body for taiko groups in either country. The design is intended to show gratitude for a good harvest. [31][116] The notion is similar to that of kata in martial arts: for example, both traditions include the idea that the hara is the center of being. Niihama is enveloped by mountains to the south and east, hills to the west, and the Seto Inland Sea to the north. The Kokuryo River flows from the mountains to the Seto Inland Sea and divides the city into an areas east of the river (kawahigashi) and west of the river (kawanishi). [210] While the proportion of women in taiko has become substantial, some have expressed concern that women still do not perform in the same roles as their male counterparts and that taiko performance continues to be a male-dominated profession. The column is covered with a fabric top (usually red and white), which symbolically represents the sun; it is surrounded by long black cushions folded into a figure of 8 with hanging tassels, representing the clouds and rain. [70] A shime-daiko often plays the Jiuchi, a base rhythm holding together the ensemble. Niihama is known for its local dialect, Niihama-ben. [91] Tsuri-daiko performers typically use shorter mallets covered in leather knobs instead of bachi. "Miyake-style taiko") is a style that has spread amongst groups through Kodo, and is formally known as Miyake-jima Kamitsuki mikoshi-daiko (三宅島神着神輿太鼓). The Besshi copper mine (once considered to be one of the most productive in the world) jump-started the Sumitomo corporation.

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